Caleb Williams

8fold

2017, bronze, marble

8fold (detail)

2017, bronze, marble

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon

2016, found glass lantern, powder coated, laser-engraved glass, thread, 333 layers of laser-cut paper, engraved marble, India ink

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon (detail)

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon (detail)

2016, found glass lantern, powder coated, laser engraved glass

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon (detail)

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon (detail)

2016, 333 layers of laser cut paper, thread

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon (detail)

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon (detail)

2016, laser engraved marble, India ink

Pacer

2017, powder coated cast aluminum, steel, found object, thread, cast iron

Family Portrait

Family Portrait

2016-2017, two laser drawn paper portraits in wooden frames, acrylic, powder-coated found aluminum tripods, thread, powder-coated cast aluminum seed pod, powder-coated cast iron

Family Portrait (detail)

Family Portrait (detail)

2016-2017, acrylic, powder-coated found aluminum tripod, thread

Family Portrait (detail)

Family Portrait (detail)

2016-2017, powder-coated cast iron, powder-coated found aluminum tripod, thread

Samsaric Reconcycle

Samsaric Reconcycle

2016-2017, cast iron, powder-coated cast iron, found objects, steel, marble, 99 layers of laser cut paper, limestone

Samsaric Reconcycle (detail)

Samsaric Reconcycle (detail)

2016-2017, 99 layers of laser-cut paper, marble

For Now We See in a Mirror, Darkly, but then Face to Face (AutoSelfPortrait)

For Now We See in a Mirror, Darkly, but then Face to Face (AutoSelfPortrait)

2017, found trifold mirror, engraved, lights (interactive)

Ace Phalous’ Transfiguration

Ace Phalous’ Transfiguration

2016, laser-drawn paper, 24”x18”

Classics (The Push is the Wrench)

Classics (The Push is the Wrench)

2017, laser-drawn paper, 18”x24”

Classics (Offset)

Classics (Offset)

2016, laser-drawn paper, 18”x24”

Classics (Ground field)

Classics (Ground field)

2016, laser-drawn paper, 18”x24”

Mercedarian’s Fourth Vow

Mercedarian’s Fourth Vow

2016, laser-drawn paper, 18”x24”

Fool Bent on Folly

Fool Bent on Folly

2017, laser-drawn paper, 24”x18”

Stupor (Unearned Wisdom)

Stupor (Unearned Wisdom)

2017, laser-drawn paper, 24”x18”

Diotima's Discernment

Diotima's Discernment

2017, laser-drawn paper, 24”x18”

The Convener Shall Be Entitled to a Casting Vote

The Convener Shall Be Entitled to a Casting Vote

2016, laser-drawn paper, 24”x18”

Akrasia Astheneia (Chairman of the Board)

Akrasia Astheneia (Chairman of the Board)

2016, laser-drawn paper, 24”x18”

Stupor (center and focus problem)

Stupor (center and focus problem)

2017, laser-drawn paper, 18”x24”

Classics (UnAssume Form)

Classics (UnAssume Form)

2017, laser drawn paper, 18”x24”

Morphogenesis

2017, laser-drawn paper, 24”x18”

No Number, No Science, No Philosophy, No Poem can Approximate

No Number, No Science, No Philosophy, No Poem can Approximate

2016, digital print, dimensions variable

Collateral Damage (A Man Imitates his Heroes by Attacking the One That Nurtures Him, through Abstract Means; a Modern Love Story)

Collateral Damage (A Man Imitates his Heroes by Attacking the One That Nurtures Him, through Abstract Means; a Modern Love Story)

2016, digital print, dimensions variable

Ascender's Surrender

Ascender's Surrender

2016, digitally altered 3D models, dimensions variable

423 Diotima (light curve)

423 Diotima (light curve)

2016, digitally altered 3D models, renderings, digital photographs

All I Wanna Do (is have some fun)

All I Wanna Do (is have some fun)

2016, Digitally altered 3D model

Morphogenesis (Flutter)

Morphogenesis (Flutter)

2016, digitally altered 3D model

Palingenesis (native freneticism)

Palingenesis (native freneticism)

2017, digitally altered 3D model

The Strut of One Proud of His Vices

The Strut of One Proud of His Vices

2017, digitally altered 3D model

Digital Means #2

Digital Means #2

2016, digitally altered 3D model

Ace Phalous’ Transfiguration (Copy)

Ace Phalous’ Transfiguration (Copy)

2016, laser-drawn paper, 24”x18”

8fold

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon (detail)

Lighthouse, Compass, Anchor; You, my Heart, the soft slow Beacon (detail)

Pacer

Family Portrait

Samsaric Reconcycle (detail)

For Now We See in a Mirror, Darkly, but then Face to Face (AutoSelfPortrait)

Classics (The Push is the Wrench)

Classics (Offset)

Classics (Ground field)

Stupor (center and focus problem)

Classics (UnAssume Form)

No Number, No Science, No Philosophy, No Poem can Approximate

Collateral Damage (A Man Imitates his Heroes by Attacking the One That Nurtures Him, through Abstract Means; a Modern Love Story)

Ascender's Surrender

423 Diotima (light curve)

All I Wanna Do (is have some fun)

The Strut of One Proud of His Vices